Producer/director John Lamb's nudist film (with a narrator who extolled the virtues of a naturist lifestyle) was the first to openly show genitalia -- now allowed after a 1957 legal decision in the Supreme Court that ruled such displays of private parts were not in and of themselves obscene. If they seem strange to their contemporaries, they know themselves well enough not to mind in the slightest.
This was an essential linkpin between the non-genital 'nudie-cutie' films of the late 50s, and the hard-core porn films of the 70s. Their custom or way of life, as some like to call it, has proved so enjoyable, has increased their physical and mental health so much, that they are convinced of its rightness and of its ultimate acceptance by the general public." "It is a psychological fact that an interest out of all proportions becomes attached to any part of the body that is perpetually concealed and we react to this with furious curiosity.
Soon after, however, she became pregnant with Robert's child - and then aborted ("I realized it was going to be the ruination of my career, messing up people's lives: you know, mine, Robert's, everybodys") - and told Robert: "I don't want anything to do with sex again as long as I live." She separated from him briefly while recuperating in the country with relatives, and then returned to him, but found herself bored and unfulfilled. " "Maybe I'm prematurely bald." "I've never known a bald girl before." "By the same token, you must be a boy."Known for being creepy and cruel at times, on another occasion, Walker led brunette Kathy (Linda Cochran) down into a dark basement of an abandoned warehouse (a "secret dungeon").
Diana had sex with playboyish Miles in his plush apartment (although appeared to take discomfort in oral sex), and then accompanied him as a jet-setter to Paris for one of his wild decadent parties with his transvestite cross-dressing friends (the participants played a "truth game" - dancing in a circle in the light of a projector, while disrobing). In the back of his convertible parked outside, Marsh made out with busty blonde Ellen again.
The sexploitation film was advertised as being shown "In Gorgeous Astravision" and in "Shocking Sexicolor" and featuring NAKED Spirits and TOPLESS Dancers. ", and "A kitten was born to be whipped."The story really began when horror book writer Bob (William Bates) and his buxom red-haired girlfriend Shirley (Pat Barringer or Pat Barrington) suffered a car wreck in the fog - fortuitously, they crashed next to a cemetery.Victor snidely commented after he had assaulted her: Russ Meyer's best and most popular work was an overly dramatic, trashy, semi-fantastical, and violent (but without nudity) sexploitation film that originally failed at the box office.Although a flop and initially reviled by feminists as "juvenile sexism", this cult film has been reassessed as a pro-feminist "female empowerment" epic.When she returned to London, possessively-jealous Robert was angered by her lying and infidelity, and told her in the film's most famous line: After Robert broke up with her and moved out, calling her "trivial and shallow," she platonically partnered with homosexual photographer Malcolm (Roland Curram), becoming the "Happiness Girl," and soon was in Italy filming candy company commercials at the villa of refined Italian widower Prince Cesare Della Romita (José-Luis de Vilallonga), a rich yacht owner with seven children. We both learned our lesson and won't make any more mistakes. After removing her bra, he asked: "Wanna feel my muscle?During her stay in Italy, she went on a holiday to Capri with Malcolm, and cautioned him: "We are not complicating our holiday with any disgusting sexcapades" (although they both had separate one-night flings with a male waiter). I know we can be so happy." But he dashed her dreams of reuniting: "We're not going back to anything, you know. Start the countdown" - before they stretched out and had sex in the back seat.